Welcome to the Rickenbacker101 archive.
What started as a handful of articles has gradually evolved into a large interconnected reference library covering Rickenbacker model history, specifications, timelines, finishes, construction details, electronics, terminology, rare instruments, and historical deep dives.
The goal has always been simple: to create the kind of resource I wished existed when I first started trying to untangle the often confusing world of Rickenbackers—a place where longtime collectors and complete newcomers alike can find accurate, evidence-driven information presented in plain English.
This page serves as the master index for the site and the best place to explore the archive by topic. If you’re new here, the “Start Here” section below is probably the best entry point. Otherwise, feel free to dive down whichever rabbit hole interests you most. There are plenty of them.
(And if you don’t know where to start, articles with a ⭐️ are our most read/most linked)
⭐️ The Complete Rickenbacker Model Guide
Glossary of Terms
Serial Number Overview
Other Rickenbacker Resources
⭐️ The Model 330
The Model 350
⭐️ The Model 360
The Model 450
The Model 620
The Model 4000
⭐️ The Model 4001
⭐️ The Model 4003
The W Series Guitars
⭐️ Signature Limited Edition Models
The B-Series Models
⭐️ Beatles-Inspired Models
The 75th Anniversary Models
The 90th Anniversary Models
Special Runs 1983-2014
⭐️ Special Runs 2015-Present
The Model 1993Plus
The 200 Series
The Model 362/12
The Model 380L Laguna
The Model 381
The Model 3000 & 3001
The Combo 400
The Model 430
The Model 480
The Model 4002
The Model 4004
The Model 4005
The Model 4030
The Model 4030S
The Combo 600 & 800
The Model 6000 Bantar
The Model 900/950/1000
The Contello/Symfomia Grand
The Model ES16 & ES17
The 1958-1962 F-Body Guitars
The 6/12 Convertible Guitars
⭐️ The Lightshow Guitars
The 8-String Basses
⭐️ Truss Rod Deep Dive
Neck Construction
Neck-Through Construction
Semi-Hollow Bracing
Deck Height
Grover Tuners Overview
Van Ghent Tuners
Schaller M6 Tuners
The “R” Tailpiece
The Kauffman Vibrola
The Accent Vibrato
The “Boyd” Vibrato
Toaster Pickups
Higain Pickups
⭐️ Other Rickenbacker Pickups
Rick-O-Sound
The Vintage Tone Circuit
Byrd Wiring
The Blend Knob
Exploding Wavy Grovers
Tail Lift
4001/4003 Crack of Doom
Glueglo
Purpleburst
Midnight Blue Binding Bleed
Conversion Varnish
⭐️ Factory Finishes
The Two Rubies
Special Run Colors
⭐️ Color of the Year
1974-1975 Walnut
2021-2022 Unfinished Fingerboards
Standard Truss Rod Covers
Special Truss Rod Covers
Gold Plastics
Knobs
⭐️ Deluxe vs. Standard Guitars
“Vintage”
OS vs. WB Guitars
Triangle Fretboard Markers
The BT & BH/BT Eras
The Cresting Wave
The German Carve
F-hole Orientation
Bound Headstocks
The Gumby Headstock
The Bass Bridge Pickup Cover
Rickenbacker and Intellectual Property
Branding
⭐️ Roger Rossmeisl
⭐️ What Is The Transitional Era
The Model 360 Transition Timeline
The Model 4001 Transition Timeline
The Model 4000 Transition Timeline
Serial Number Overview
Serial Number Stickers
Vibrato Equipped 425 Serial Numbers
Serial Number Locator
The Premiervox Spanish Guitar
The Astro Guitar Kit
The Barth/Magnatone Guitars
The Chandler 555
Nelson Guitars
⭐️ Cases
The Sceusa Neck
Slanted Frets
Vaporware and Zombie Guitars
The 350 Phantoms
Knob Orientation
“Lennonizing”
Site Updates
1938 Model 59 Lap Steel
1957 Polynesian
1957 “Half-Tulip” Combo 450
1958 Joe Edwards 365 Capri
1961 Kenny Blackwell Doubleneck
⭐️ 1963 Suzi Arden 360/12
⭐️ 1964 360S/12
1964 Long Headstock 360S/12
1964 Randy Bachman 375
1966 Rose Morris “Redburst” Guitars
1967 “Shaded” Guitars
⭐️ 1967 John Paul Jones 4001S Prototype
1968 New Style 330
1968 “Moonglo” Guitars
1968 Ebony Fingerboard 366/12OS
1969-1971 21 Fret 4001s
1970 Ebony Fingerboard 360
1971 Bound Neck 330
1971 Transitional 360
1972 360SF
1973 Bound Neck 330/12
1974 Bound Neck 4000s
1974 4001SS
1981 4001S FL
1983 360/12 New Style WB
1984 610/12
1984/85 360/12V64 Prototypes
1986 230 Blackstar
1986 4003 Shadow
Mike Campbell 359V89
1992 350 SH Overrun
1993 RCA Models
⭐️ 1992/93 Jackson Browne Prototypes
1994 Norman’s Rare Guitars 1993SPC
2003 Henry McGuinn 350/12
2007 Chris Squire Pastel Burst 4003s
2011 Pearl White 1997
2011 Pick of the Ricks 4001C64s
2011 481/12
2014 330-F
2016-2022 Noir Special Runs
2020 4003CB SPC
2022 3503
2025 425 SPCs
2026 Geddy Lee 4001
I'd be interested in an article about short scale lengths. As far as I know the very short length on such models as the 325 is something special to Rickenbacker (I don't think even Fender's short-scale Mustangs are that short). I've never seen or heard much about the sound and playing characteristics of these models as compared to the "full scale" guitars such as the 330s and 360s (I've never had the chance to play one, but having played guitars with scale lengths around 24 inches I imagine there's a noticeable difference in the feel and I think string gauges would need to be different). Do they have a significantly different sound and, if so, does that raise questions about whether there's really a single characteristic "Rickenbacker sound" or whether there are a range of Rick sounds? How did Rickenbacker even come to decide these short models were worthwhile? Does the closer spacing of frets at the higher end of the neck create problems for some players? And what did John Lennon like about them?