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Mark C's avatar

I'd be interested in an article about short scale lengths. As far as I know the very short length on such models as the 325 is something special to Rickenbacker (I don't think even Fender's short-scale Mustangs are that short). I've never seen or heard much about the sound and playing characteristics of these models as compared to the "full scale" guitars such as the 330s and 360s (I've never had the chance to play one, but having played guitars with scale lengths around 24 inches I imagine there's a noticeable difference in the feel and I think string gauges would need to be different). Do they have a significantly different sound and, if so, does that raise questions about whether there's really a single characteristic "Rickenbacker sound" or whether there are a range of Rick sounds? How did Rickenbacker even come to decide these short models were worthwhile? Does the closer spacing of frets at the higher end of the neck create problems for some players? And what did John Lennon like about them?

HarveyCan 58's avatar

What an amazing page! So glad it's on Substack.

Have you covered the 650 series from the 90s/00s? The Atlantis, Dakota, Frisco etc. Those were very lovely & interesting guitars, and there some interesting variations, especially in the C version. And what about that trem? And those pickups?

Was there a piece on the acoustics? The Jazzbo? Maybe I skimmed past it.

Thanks for this valuable resource!

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